Marc Chagall artwork for The Wondering Jew

Marc Chagall, La flûte enchantée (The Magic Flute), 1967. Color lithograph on Arches wove paper. Lent by Elen Steinberg and EJB Steinberg Family Foundation.

© 2026 Artists Rights Society (ARS), New York / ADAGP, Paris

Opening November 18, 2026

The Wondering Jew

Chagall, the School of Paris and the Worlds They Inspired

On View
November 18, 2026
— March 2027
Admission
Included with
General Admission
The artworks featured in this exhibition are generously lent by Elen Steinberg and EJB Steinberg Family Foundation

Discover Chagall and the School of Paris

Featuring nine works by Marc Chagall, The Wondering Jew brings together paintings, drawings, sculpture and lithographs by Jewish artists associated with the School of Paris.

These artists arrived in Paris seeking creative freedom, many seeking refuge from antisemitism and upheaval in their homelands. They found community and new ways of making art while carrying memories of the places they had left behind. Their work helped shape modern art.

Explore their art and stories, including archival material documenting efforts to help Marc and Bella Chagall escape Nazi-occupied France. An interactive migration map invites you to trace your own family’s journey alongside those of the artists.

Why “Wondering”?

The exhibition’s title changes one letter in “wandering Jew,” reclaiming a centuries-old antisemitic trope and shifting its meaning toward curiosity, imagination and creative freedom.

The Wondering Jew: Chagall, the School of Paris and the Worlds They Inspired opens Nov. 18, 2026, and remains on view through March 2027. The exhibition is included with general admission.

Come curious and leave wondering.

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School of Paris

The School of Paris was never one style. Its story is one of arrivals—artists crossing borders, finding one another and making something new from memory, freedom, encounter and change.

Moïse Kisling, Pâquerette, and Pablo Picasso at Café La Rotonde, Paris, August 1916
From left: Moïse Kisling, Paquerette, and Pablo Picasso at café La Rotonde, Paris, August 1916
Moïse Kisling, Portrait de Mme Renée Kisling
Moïse Kisling · Portrait de Mme Renée Kisling · c. 1920

As Happy as a Jew in Paris

אזוי גליקלעך ווי א ייד אין פאריז
Azoy gliklekh vi a Yid in Pariz

For a brief and extraordinary period (1905–1939), Paris represented possibility for a remarkable generation of Jewish artists.

That sense of possibility had deeper roots in French Jewish history. In 1791, during the French Revolution, Jews in France were granted the rights of citizenship—an extraordinary milestone in European Jewish emancipation. More than a century later, as artists arrived from across Eastern Europe and beyond, Paris could symbolize a degree of civic, personal and artistic freedom that many had scarcely known.

The Yiddish expression “As happy as a Jew in Paris” grew from that reputation. It is generally described as a Yiddish adaptation of the older German saying “to live like God in France,” and became closely associated with the Jewish artists of the École de Paris. In the cafés of Montparnasse and the studios of La Ruche, they found fellow immigrants, artists and friends. They shared ideas, supported one another and became part of an international community in which difference could become a source of creative energy.

Paris was never entirely free of antisemitism or exclusion. But for many of these artists, it offered something remarkable: a measure of safety, acceptance and belonging—and the freedom to imagine what might come next.

Freedom to See Differently

For some artists raised in traditional Jewish communities, Paris also brought new artistic freedoms. The human figure, abstraction, radical color and new approaches to sculpture were part of the artistic world unfolding around them.

Different artists pursued this freedom in different ways. Marc Chagall fused modernism with memory and mysticism. Sonia Delaunay embraced abstraction, rhythm and color. Jacques Lipchitz translated movement and fragmentation into sculpture. Amedeo Modigliani distilled the human figure into a radically personal modern style.

Marc Chagall, L’Atelier

© 2026 Artists Rights Society (ARS), New York / ADAGP, Paris

Marc Chagall
L’Atelier
1976 · Pastel, colored wax crayons and sanguine on paper · Lent by Elen Steinberg and EJB Steinberg Family Foundation
Sonia Delaunay, Rythme couleur (1021)
Sonia Delaunay
Rythme couleur (1021)
1916
Jacques Lipchitz, Arrival
Jacques Lipchitz
Arrival
1941
Amedeo Modigliani, Jeune Fille À Frange
Amedeo Modigliani
Jeune Fille À Frange
c. 1912
Issachar Ber Ryback, Le petit âne
Issachar Ber Ryback · Le petit âne

What They Carried With Them

Leaving one place does not mean leaving it behind. The worlds these artists came from continued to live inside their work: villages and cities, Jewish ritual and folklore, family, music, language, memory and loss.

Chagall’s floating figures, musicians and animals transformed the remembered world of Vitebsk into something at once deeply personal and universal. Issachar Ber Ryback returned again and again to the life and visual culture of the Eastern European shtetl. Their work asks one of the exhibition’s central questions: What do we carry with us when we move from one world into another?

When Refuge Was Shattered

The freedom many artists found in Paris was fragile. Antisemitism remained present, and the rise of fascism and the Second World War shattered the artistic world they had built. Some fled France. Some went into hiding. Some were deported and murdered.

Marc and Bella Chagall escaped occupied France in 1941. Jacques Lipchitz also fled for the United States. Knowing what followed changes the way we encounter the vitality of their earlier work. Its color, experimentation, intimacy and optimism become evidence not only of artistic invention, but of a world once imagined—and of the enduring capacity to begin again.

Abraham Manievich, Landscape
Abraham Manievich · Landscape · c. 1922

THE ROAD TO PARIS

Paris as a constellation.

Artists arrived from different cities, languages and traditions. In Paris, their paths crossed—and helped create a new visual language.

IN THE MUSEUM Visitors will be invited to trace their own family journeys—connecting where their families came from with where they live today.
Vitebsk Saint Petersburg Gomel Druskininkai Kraków Vidin Livorno
MOVE YOUR CURSOR OVER A ROUTE
Explore how individual artists traveled to Paris.
Tap a route on mobile.

Different origins. A shared destination. A new visual language.

A Contemporary Coda

Joseph’s Machines

The story also moves into the present. Joseph Herscher’s kinetic machines continue the imaginative tradition inspired by Jewish American cartoonist and inventor Rube Goldberg—transforming ordinary actions into elaborate chains of motion, surprise and cause-and-effect.

With over 7 million YouTube subscribers, Herscher has built a global audience around playful machines that turn everyday objects into extraordinary experiences. His contribution serves as a contemporary coda to the worlds opened by Chagall and the School of Paris. Explore Joseph’s Machines.

Joseph Herscher machine in motion

A contemporary response

Dahlia Dreszer

A single preserved flower amid translucent color, vivid painted marks and reflective surfaces, from Dahlia Dreszer’s All That Remains series
Dahlia Dreszer, from the All That Remains series.

What do we carry with us—and what do we leave behind?

Born in Colombia and raised in Panama, Miami-based interdisciplinary artist Dahlia Dreszer draws upon her Latin American and Jewish heritage to explore identity, memory and the traditions we inherit.

Works from her series All That Remains bring together personal objects, family heirlooms, Judaica, flowers and visual references to Indigenous Panamanian textiles and the South Florida landscape. These carefully composed images consider how fragments of lived experience can become a new visual language.

Presented alongside Chagall and the School of Paris, Dreszer’s work carries the exhibition’s questions about migration, belonging and reinvention into contemporary Miami.

An interactive encounter

Ask Dahlia.

Visitors will be invited to converse with an AI-powered, on-screen version of Dreszer, asking questions about The Wondering Jew and hearing responses through the artist’s digital likeness.

The holographic installation extends her exploration of how technology might preserve, reconstruct and reinterpret personal experience. A Knight Foundation grant supported the display hardware.

Reference photograph of an illuminated digital likeness of Dahlia Dreszer framed by greenery, illustrating the proposed interactive hologram experience
Reference image of the interactive hologram experience.

See the worlds they carried with them.

The Wondering Jew: Chagall, the School of Paris and the Worlds They Inspired opens November 18, 2026.

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